杉元とアシ(リ)パの再会は叶うのか!?極寒の地で新たな局面を迎える生存競争サバイバル、亚洲樺太編が開幕ッッ!!!網走監獄で繰り広げられた激しい攻防戦の末に、亚洲離れ離れになってしまった「不死身の杉元」こと杉元佐一とアイヌの少女?アシ(リ)パ。アシ(リ)パは「脱獄王」の白石由竹とともに、キロランケと尾形百之助によって父の足跡が残る場所?樺太に連れ去られていた。アイヌの金塊を強奪した張本人である「のっぺら坊」が死んだ今、その秘密を解けるのは娘のアシ(リ)パのみ。キロランケの目的は、彼女を連れてかつての仲間である極東ロシアのパルチザンと合流することにあった。一方、第七師団の鶴見中尉と手を組んだ杉元と谷垣源次郎は、アシ(リ)パを捜索するための先遣隊に志願。月島軍曹と鯉登少尉を同行者として樺太を目指す。北海道よりさらに北に位置する極寒の地で、それぞれの旅路を進む...
丁子峻
回复 :拥有历代最高体力（护盾）的肉盾，路德为了找寻奇迹秘宝治疗心爱妹妹的病一直以来不断地攻略迷宫。不过，所属队伍的勇者个性蛮横，将路德从冒险队伍里面辞退了。原因是路德身上有个未知技能，勇者宣称这个技能会扯队伍后腿，甚至还说这是一个垃圾技能……不过最后却证明了那不是垃圾技能，而是一个强悍技能！凭借着9999护盾与强悍技能于一身的最强肉盾，路德的第一章冒险故事揭幕！
薛家燕
回复 :2012年大年三十，张昕宇和梁红背上行李包，开始“侣行”，成就了中国首档真人探险记录节目。翌年，《侣行》在优酷一经播出，就引起轰动。后续又陆续在优酷独播了《侣行2》、《侣行3》，鼓舞了万千受众，带领大家探索惊奇世界。2022年侣行重回优酷，初心不改，向大家讲述【侣行】这十年不为人知的精彩故事。
红蓝铅笔
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
