桃姐
地区:西班牙
  类型:战争
  时间:2025-04-04 09:19:34
剧情简介

桃姐The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com

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明星主演
恩雅
韩阳子
孟庭苇
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李元

发表于5分钟前

回复 :他是几乎成为美国总统的人——阿尔·戈尔。很难说他成为总统会给世界带来怎样的改变,但是现在,他就在改变世界的路上。本片记录了戈尔作为一个环保专家,一个世界公民,为了环保世界进行的种种努力。他精彩的演说,议会上咄咄逼人的质询,对于环保议程的推进努力,还有在这一切的背后,他的内心世界。


林宜融

发表于3分钟前

回复 :故事在美国旧金山,心脏科医生乔治从父亲继承到一家医院,并与患有气喘病的苏珊结婚了。由于妻子一直患病,夫妻间关系疏远,而乔治也在外头与女摄影师珍偷情。一日,他的妻子苏珊离奇死亡,乔治深感罪恶与后悔之后,他便与珍分手了。但更多离奇的事情接二连三的发生,有人致电乔治告诉他有一位脱衣舞娘莫妮卡长得与其亡妻极为相似,而不久乔治被控谋杀亡妻苏珊,原因是苏珊的药物被变换以致死亡以及保险受益人是乔治。当乔治极力的证明他的无罪时,真相竟然是……意大利导演卢西奥·弗尔兹是上世纪意大利著名的恐怖片导演,作品多以感官刺激和血腥镜头惊吓为主,如《僵尸》系列。有一批数量不多但十分固定的影迷。弗尔兹习惯自编自导,也喜欢出演自己的作品。而《桃色响尾蛇》是其导演并参与演出的代表作之一。


松本和之

发表于1分钟前

回复 :理查德是一名飞行员,退伍后,他在一家酒吧打工,认识了同事芭芭拉(安娜·玛西 Anna Massey 饰)并与之相爱。性格粗暴的理查德同老板发生口角后被开除,身无分文的的只得投奔前妻布伦达(Barbara Leigh-Hunt 饰)。布伦达经营着一家婚姻介绍所,她友善的接待了理查德并偷偷的在他口袋里塞了一些钱。没想到几天后,布伦达在介绍所中被她与理查德共同的朋友鲍伯(巴里·福斯特 Barry Foster 饰)玷污并用领带勒死,原来鲍伯就是伦敦臭名昭著的领带勒杀狂魔。布伦达死了,理查德成了最大的嫌疑人。为了将更大的罪嫌推到理查德身上,鲍伯又趁机杀死芭芭拉,一时间理查德成为了全城通缉的对象,最终落网。负责此案的奥克斯福德(埃里克·麦克文 Alec McCowen 饰)觉得事有蹊跷,经过夫人的提点,他发现真正的罪犯已经露出了马脚。


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