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回复 :已过而立之年的汉娜·梅滕（米娜·唐德MinaTander饰）是一家医院的医生，虽然事业顺利，饮食无忧，且育有一个可爱的女儿莉娅（LinaKöhlert饰），但是她和丈夫的婚姻已经走入死胡同，身心疲惫不堪。这一晚，汉娜的医院接收一名服用安眠药过量生命垂危的患者，而对方正是汉娜童年时代的好朋友克拉丽莎（LauradeBoer饰）。好友久别重逢，彼此互相倾诉心底的不快，进而相约暂时抛开现实生活中的一切，启程回到童年时留下无数快乐记忆的海边小岛。一路欢歌，汉娜带着女儿和克拉丽莎抵达目的地，但不知为何她似乎忘记了童年时在当地结识的另一位好友玛丽亚（MiaKasalo饰），也对曾经那段黑暗回忆印象稀薄。
仙剑奇侠传
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :吴德威（黄百鸣 饰）和张小妹（张艾嘉 饰）在一起已经有七年之久了，这七年之中，两人的关系由浓转淡，眼看就要来到“七年之痒”这一节骨眼上，幸运的是，吴德威是一个好男人，这七年中，他一直保持着对于情感的忠诚。一次偶然中，吴德威于机场遇见了名为小红（利智 饰）的女飞贼，为了摆脱警方的盘查，她将赃物藏在了吴德威的行李之中，之后在飞机上向后者大献殷勤，惹得吴德威浮想联翩。达到目的之后，小红用一封绝情书结束了她和吴德威之间的短暂“缘分”，但吴德威却对这段邂逅念念不忘。回到张小妹的身边之后，两人的关系会发生怎样的变化呢？
