埃尔顿约翰
发表于1分钟前回复 :吉姆·格林(乔尔·埃哲顿 Joel Edgerton 饰)和辛蒂(詹妮弗·加纳 Jennifer Garner 饰)是一对婚后多年的夫妻,他们琴瑟合璧,生活无忧,美中不足的是一直没有小天使降临夫妻之间,虽然尝试各种办法,可最终一无所获,这也成为夫妻俩心中的隐痛。这一晚,格林夫妻将心中的渴望写在纸上,埋在院子里。是夜,狂风暴雨席不期而至。而伴随着大雨来到格林夫妻家中的,竟是一个满身泥泞、乖巧伶俐的十几岁小男孩。男孩自称蒂莫西(卡梅隆·CJ·亚当斯 Cameron 'CJ' Adams 饰),与格林夫妇为孩子预先取的名字一样。许是上苍听到了夫妻的愿望,为他们派来这样一个可爱贴心的小天使……
杨程钧
发表于5分钟前回复 :Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.