030视频
地区:香港
  类型:剧情
  时间:2025-07-18 03:48:22
剧情简介

本片讲述考古学家皮埃尔博士在一次探险中偶然遇上了传说中的史前生物———怪兽哥鲁达。而博士也在这次遭遇中离奇失踪了。美丽的李娜是皮埃尔博士的女儿、法泰混血儿,同时也是一位出色的考古学家,她与身负消灭怪兽、保护市民使命的少校坚一直在为证明怪兽存在和搜捕怪兽、解救教授而努力,两人在接触的过程中相互产生爱慕。由于政府和军队的介入和各怀心思,使得这场科学考古掺和了蹊跷的政治因素而变得更加扑朔迷离,引人入胜……这部片子既应用了很多国外的高科技,又与泰国国内的传说相结合,以大场面、全球性题材为卖点,可以见出近年泰国电影在制作上向着好莱坞风格靠拢的趋向。耗资2.6亿,泰国有史以来最大规模科幻动作巨片,超人气演员阵容最大组合。影片让科幻元素和异国风情完美结合,又与泰国国内的传说相结合,使用了大量枪械、炸药、反坦克炮等现代化武器,极具制作上的大气。电脑科技制作上也投入了大量人力物力,可以媲美好莱坞科幻巨片《哥斯拉》,而在故事情节上又与《007》有几分神似,以英雄美女、大场面、全球性题材为卖点,不愧为今年泰国第一大片。导演自荐:《哥鲁达》这部片子的产生,来源于一个很简单的想法,就是想拍一部令泰国人看了之后感到很刺激很紧张的有关怪兽的影片。事实上在此之前已经有这样一部片子了,我寻遍了古代小说中出现的怪兽,很多怪兽都很漂亮,又令人感到恐惧,并不亚于外国电影中出现的怪兽,所以我也很难作出选择。于是我拜访了一些行家,他们的想法是,如果能找到一种怪兽,人们似曾相识,非常敬畏它,把它当神来对待,但是它又非常恐怖,当这样的东西出现的时候,你是选择向它靠近还是立刻逃命?于是就有了我们这部片子。根据剧情的需要,这只怪兽必须被人们奉若神灵,而且非常恐怖,哥鲁达这只怪兽正好符合我们的要求,它既受尊敬又令人恐惧,人们很难分辨出它到底是神还是来自古代的像恐龙一样的怪兽。

71次播放
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明星主演
丁当
李郑屋村
甲子蕙
最新评论(832+)

杨庆煌

发表于2分钟前

回复 :On an ocean voyage, a librarian falls for a married man. After librarian Lulu Smith is accused by her patrons of having Spring fever, she spends her life savings on a cruise to Havana, during which she begins a romance with Bob Grover, a lawyer with political ambitions. After their return, Lulu becomes a clerical assistant for a newspaper, where she is pursued by brash reporter Al Holland. One night, several months into their affair, Bob comes to Lulu's apartment for dinner, bringing two Halloween masks with which they have a marvelous time playing. Their merriment is interrupted by a call from Al, whose proposal to Lulu prompts Bob to confess that he has an invalid wife whom he cannot leave. Lulu protests that she wishes to continue their affair, but Bob refuses to let her waste her life on him. They squabble, and Lulu throws him out without telling him she is pregnant. Time passes and Bob becomes district attorney, while Al becomes city editor of the newspaper. After Bob hires a detective, Marty, to find Lulu, the couple are reunited and Lulu introduces Bob to his daughter Roberta. Later, Lulu and Roberta are waiting to meet Bob, when Al suddenly appears. He is questioning her about Roberta when Bob arrives, and, in order to protect Bob's reputation, Lulu tells Al that the baby is Bob's adopted daughter and that she is her governess. In order to preserve the charade, Bob does adopt Roberta, taking her home the next day to present to his wife Helen, who is returning from a European rest cure. Helen is delighted with the child but questions Lulu's ability to care for her. Lulu runs out of the house, and when Bob follows her, she tries to tell him she is through with him but cannot. Soon after, Lulu goes to Al for a job and becomes the "advice to the lovelorn" columnist for his paper. Al pumps her for information about Bob and Roberta in order to write a story causing Bob's downfall, but Lulu refuses to say anything. As the years pass, Lulu still works for the paper, and Al, now the managing editor, is still pursuing her. Bob has been both a mayor and a congressman, but on the night he wins the nomination for governor, he becomes disheartened, ashamed of the hypocrisy of his double life. Lulu tries to talk him out of confessing the truth and ruining his career, but when it seems that she cannot succeed, she asks Al to marry her, hoping that will make Bob forget about her. On the night of Bob's election, however, Al tells her that he knows all about her, Bob and Roberta, and Lulu kills him to prevent him from publishing the story. A year later, Bob is on his deathbed, and Lulu, whom he had pardoned after a short jail term, comes to visit him. He shows her his new will, which tells the truth and leaves her half of his estate, but after he dies, she tears it up to protect him and Roberta, who is engaged to a socially prominent young man.


林宥嘉

发表于8分钟前

回复 :继喜剧系列《罗珊娜》(1988)之后,故事围绕女族长突然去世后的家庭成员展开。


温力铭

发表于1分钟前

回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.


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