一次机缘巧合之中，国产正在为白血病弟弟筹集医药费的贾甜甜与正被母亲逼迫联姻的富二代元邵相遇，国产两人从开始的契约关系到最后互相钦慕的爱情故事。贾甜甜假扮元邵女朋友搪塞母亲，事成之后元邵付给贾甜甜30万酬劳。而贾甜甜的到来遭到了元邵母亲芳倩的极力反对，甚至将元邵的联姻对象边潇潇一起叫来对付贾甜甜。面对家人的阻扰，元邵极力维护贾甜甜，在相处过程中感情升温。元邵的二叔元晔想要夺取元氏集团的股份，绑架了元邵和贾甜甜，但是正巧被贾甜甜的父亲遇见，并解救了他们，元邵贾甜甜及时出现识破了元晔的阴谋。最终坏人伏法，元邵帮助贾甜甜弟弟治好疾病，两人相知相恋，经过重重阻挠幸福地生活在一起。
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
回复 :美国至今为止最出色的黑人导演拍摄的一部关于爵士乐的电影,传达出了爵士乐的本质：刹那的狂欢和宿命的忧伤。展现好莱坞黑人实力的爵士乐手电影。丹泽尔．华盛顿饰演一名自我中心意识强烈的爵士喇叭手， 他对身边的每个人都希望能加以掌控，包括他生命中的两个女人在内。斯派克．李在他这部自导自演的作品中，透过男主角对爱情与事业的纠葛来探讨黑人艺术家的生存处境， 强调画面色彩和音乐感性的丰富感觉。导演的父亲比尔．李负责为本片配乐。《Mo' Better Blues》原片名为「A Love Supreme」，取自约翰柯川（John Coltrane）的经典专辑名，片中Spike Lee找来了丹佐华盛顿（Denzel Washington）与韦斯利史奈普（Wesley Snipes）担任主角，并根据诸多爵士乐手的传记野史，虚构了片中两位乐手既合作又斗争的创作纠葛与三角恋情，幕后抓刀代吹者，是美国青壮辈极优秀的两位乐手Branford Marsalis与Terence Blanchard，配乐全是原创新作，极为精彩。片中一段主角孤坐房间，出神状况，即兴作曲的片段，Spike Lee用镜头360度推轨不停环绕丹佐华盛顿的方式拍摄，堪称经典。片末主角因诸事纠葛，牙齿惨遭恶徒打落，无法再吹奏小号的辛酸，让人联想到名小号手Chet Baker的遭遇。《Mo’ Better Blues》在历史意义，拍摄手法，及音乐原创度上，都是影史上十分优秀的一部作品。
回复 :《笑著回家》是一部围绕著家庭和家人团聚的故事。剧中的任务和他们的家庭来自不同背景、年龄层、社交圈子等。剧中人物在故事里通过亲情关系， 友谊或处在地理位置， 让故事交接在一块。故事发生在华人新年除夕，李国煌 在剧中饰演一位对自己要求非常高的厨师却不能管教他的女儿。林慧玲和黄文鸿饰演一对準新人而林慧玲将得跟未来岳父岳母见面。梁志强这次将反串饰演一位中年妇女而阿牛将饰演她的儿子， 跟随她启程到马来西亚跟家人度过每年的团圆饭。他们将经历一段诙谐有趣的旅途。这部电影捕捉了各故事温馨的精髓以及传统过节团聚的意义。故事看点：这部电影是由三个故事组成，故事发生在新马两地的华人新年除夕日，讲述戏中的四名主角回家过年吃年夜饭途中所遇到的趣事，一个个温馨的情节、带出了家人的重要性。此外，这部《笑着回家》内容还富有讽刺性、笑料更是连连，间中更不忘在大抛笑弹之余带出温馨感人的部分，让人在笑后也有所深思；同时为了让“本土”刻画得深刻些，电影中也参杂了新马独有的语言，可說是新马合作以来最具有诚意的一部电影。