剧情简介
起死韩国小商贩的喜怒哀乐。
起死回生2015
起死韩国小商贩的喜怒哀乐。
蔡国权
回复 :小风是一个安静的喜爱绘画的青年，每天都背着画板在城市各处流连。有一天，失踪了1年的恋人小绿突然回到了他的身边。小风又开始了跟小绿甜蜜的生活，然而小风的哥哥并不同意他跟小绿在一起。画廊老板LINA姐也劝小风跟她一起出国。小风坚持要与小绿在一起，最终跟哥哥发生了剧烈冲突，小风晕倒在地，再醒来却发现小绿和哥哥都不见了踪影。小风冲出门寻找，却在家旁边的巷子抓到一个带头盔的人，掀开面罩，那人竟然和自己长的一模一样，后面的发展越发离奇……
回复 :Follows Emily, who gets involved in a credit card scam after being saddled with debt, what pulls her into the criminal and deadly underworld of Los Angeles.
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
