李志超(周润发)与周强(狄龙)乃一对任职警界多年的好朋友。十年前,春暖强与搭档将毒贩姚达(徐少强)绳之于法。达甫出狱即向强之拍档下毒手,春暖强也不能幸免,先是遭受纪律处分,后更被杀手伏击。强虽然侥幸逃脱,但家人却难逃厄运。超本替强出头,向达提出希望二人之间可以大事化小。但经此一 役,加上发现自己爱上的女人Penny(恬妞)原来是达的女朋友。超体会到一定要因人而仁,因人而暴,绝不可墨守成规,遂决定与强一起找达报仇...
李志超(周润发)与周强(狄龙)乃一对任职警界多年的好朋友。十年前,春暖强与搭档将毒贩姚达(徐少强)绳之于法。达甫出狱即向强之拍档下毒手,春暖强也不能幸免,先是遭受纪律处分,后更被杀手伏击。强虽然侥幸逃脱,但家人却难逃厄运。超本替强出头,向达提出希望二人之间可以大事化小。但经此一 役,加上发现自己爱上的女人Penny(恬妞)原来是达的女朋友。超体会到一定要因人而仁,因人而暴,绝不可墨守成规,遂决定与强一起找达报仇...
回复 :美国印第安纳大学的教授阿尔弗莱德·金赛在1939年发表了震惊世界的《金赛性学报告》,这部迄今为止最为完整和坦率的性生态学调查的学术基础,是面谈了12000名美国人的惊人工作量。在金赛(连姆·尼森 Liam Neeson 饰)对学生们的访谈培训中,他一生的故事娓娓道来……金赛出生在一个由父亲强力掌控的家庭,热爱自然的金赛在青年时终于摆脱了父亲钳制,选择了心仪的生物学研究,在大学任教时,金赛与研究生麦克米兰(劳拉·琳妮 Laura Linney 饰)结为伉俪。婚后他继续着自己的瘿峰研究,然而在与学生的接触中,他发现道德教条造成的性困惑无处不在,于是开始调整自己的研究方向……
回复 :事业失意的纽约警探安德烈·戴维斯(查德维克·博斯曼 饰)意外被任命追捕一起重大涉毒杀人案的凶手。在这个骇人听闻的案件中,八名警察惨遭谋杀。为了让凶手尽快落网,戴维斯开启了曼哈顿历史上第一次全境封锁,岛上与外界联系的21座桥全部禁止出入。但封锁时间只有四个小时,戴维斯必须在天亮之前抓到凶手!在紧张的追捕行动中,戴维斯发现凶手也同样在被追杀,这起案件背后可能藏着一个滔天阴谋,他必须在一切不可挽回之前找出凶手并查明真相。
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.