青年段志高来到小桥车站学习锻炼。小桥站全体员工在站长“老解决”的带领下辛勤工作，高清国产并和附近公社亲如一家。但是，高清国产段志高热情有余、经验不足，常好心办坏事。这让即将退休的老站务员“老怀表”看不过去。站长“老解决”生产队妇女队长胖大嫂有心相爱，但却不好意思主动表白。扳道员“小发明”和在生产队的姐姐铁英暗地筹划利用河水建立一个小发电站，段志高积极参与计划。生产队在清理仓库时发现了一个废弃的发电机，老站长与胖队长商谈此事。“秦广播”误听了老站长的梦话后安排老站长与胖队长会面，两人虽然话不对题，却终于明白了对方的心意。小发电站发现成功，“老解决”和胖队长终成眷属，双喜临门，大家欢呼庆祝。“老怀表”看到年轻人的力量，觉得可以放心从岗位上退下了。
回复 :片中洛克饰演安德雷·艾伦，因搞笑脱口秀而走红，通过出演欢脱无脑的电影（扮成一只棕熊）跻身好莱坞，即将与一位真人秀女星结婚。未婚妻希望将他们的婚礼在她的真人秀节目中直播，经理人则告诉他这样会损害他的形象和事业，降低身价。同时，一位《纽约时报》记者（罗莎里奥·道森饰）的采访，她那些诸如“你怎么不搞笑了呢？”之类的尖锐问题，则迫使他重新审视自己的过去，自己的生活和事业。两人在朝夕相处之间，似乎也生出不一样的情愫。
回复 :懵懂少年井唐与未婚妻子琴随哥哥井宋来到具有800多年历史的佑圣古观参加一年一度的庙会，偶遇少女小鲜和神秘人郪上，并被二人告知自己所处的世界只是一个用忆念术创造出来的幻象。伴随身边的许多人相继被杀，凶手直指郪上——一个通过忆念术杀人无数续命永生的大魔头。正当不解之时，自己的未婚妻又被一个自称是子琴丈夫的男人自愿带走，回到了现实世界。此后，井唐夹在井宋与郪上几百年的恩怨之中，身世之谜解开，井宋才是霍乱天下的邪灵。井唐用避尘珠亲手杀死了邪灵，可付出的代价竟然是小鲜的牺牲。为了不让邪灵重生，郪上粉碎了他关于小鲜的一切记忆。最后，井唐跟随郪上回到了现实世界，可这个世界就一定是真实的吗？井宋所做的一切真的是为了毁天灭地吗，也许只是为了心中所爱。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
