欧美When Ivy discovers the school bathroom is haunted, Bean helps Ivy to harness her witchlike powers. With the help of their classmates, Ivy and Bean orchestrate a ritual that will free the ghosts, save the school and also mess up Nancy’s day.
回复 :二战中德军节节败退，但战事的失利没能阻止德军在他们的法国殖民地的大屠杀，相反德军开始了更加疯狂的屠杀。巴黎的医生于连（菲利浦•诺瓦雷 Philippe Noiret 饰）由于感到城里日渐紧张的气氛，他怕家人遭遇不测，于是安排了他的妻子和孩子回乡下暂避风头。于连送了妻子回乡不觉已过一段时间，他决定回乡探望家人。孰料他回到乡下，看到的只剩斑斑血迹，残忍的德军对这条小村庄进行了屠杀。愤怒的于连在村里的老屋内找到了一杆老枪。于连决定向德军举起复仇之剑！
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :诺尔（阿迪亚·罗伊·卡普尔 Aditya Roy Kapoor 饰）从童年时代起就展现出了惊人的艺术天赋，一次偶然中，他救了一位名叫莫扎姆（阿贾耶·德乌干 Ajay Devgan 饰）的男人，之后，皇室后裔巴古姆（塔布 Tabu 饰）雇佣诺尔成为自己的女儿菲尔多斯（卡特莉娜·卡芙 Katrina Kaif 饰）的玩伴，希望菲尔多斯身上能多一些艺术气息。因为参加姐姐的葬礼而未能及时赶回来的诺尔错过了和菲尔多斯见最后一面的机会，菲尔多斯出国了。一晃眼多年过去，诺尔已经成为了大名鼎鼎的艺术家，享受着无上的声誉，此时，出落得美艳动人的菲尔多斯回到了他的身边，遗憾的是，此时的菲尔多斯即将成为别人的妻子。
