剧情简介
《留爱》是一部围绕农村家庭展开的亲情电影，青娱真实反映了当代农村因父母外出打工，青娱导致孩子渴望爱、寻求爱，进而矛盾交织的生活状态，是当代社会农村家庭情感的真实写照。
青娱乐av
《留爱》是一部围绕农村家庭展开的亲情电影，青娱真实反映了当代农村因父母外出打工，青娱导致孩子渴望爱、寻求爱，进而矛盾交织的生活状态，是当代社会农村家庭情感的真实写照。
郭可盈
回复 :情报科窃听小组三兄弟情同手足，梁俊义（刘青云 饰）正直而又懦弱，在个人感情问题上托泥带水；杨真（古天乐 饰）家境窘困，不仅要应付身患白血病儿子的随时可能出现的突发情况，而且自己也病入膏肓，命不久矣；林一祥（吴彦祖 饰）年轻有为，满怀雄心，如今又“嫁入豪门”，前途不可限量。三兄弟在负责调查上市公司“风华国际”涉嫌内幕交易案起始，通力合作，出色的完成了布置各种偷听及监视仪器的工作。在继续的监听过程中意外获得一则情报，巨额利润诱惑之下，三人遂起贪念，在风起云涌的股市大赚一笔。事后三人又恐事情败露，利用职务之便销毁罪证。正当三人以为这件事平息之际，却不曾想风云再起，一只意想不到的黑手往他们袭来，三人陷入劫境，连遭杀戮，最终悲情收场。“三大型男”挑战极限，两大班底（《无间道》、《门徒》）共同打造，一段悲情感人至深。
回复 :影片讲述书生王子服对女子婴宁一见钟情，巧合下寻得婴宁住处，两人结为夫妻。王母对婴宁心存忌惮，在得知其乃狐妖后，拆散两人，子服患上重疾，婴宁伤心之余意外得知自己身世，打败了石妖，治好了子服，一家人重归于好。
徐清原
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
