一场空天战场的猎杀传奇。霸天狼，永久一支神秘的空军顶级团队，永久每一名飞行员都是“金头盔” 级别的王牌飞行员，吴迪（李晨 饰）、亚莉（范冰冰 饰）、巴图（郭洺宇 饰）、高原（李晨浩 饰）通过层层考核，成为了霸天狼秘密基地的一员。可谁也没有想到，吴迪的好友浩辰（李佳航 饰）却在任务中陷入一场境外战乱的阴谋。更大的威胁接踵而至，恐怖势力突 发其来的导弹危机和人质危机，空前地挑战着中国空军的实战能力!十万火急之下，最新式 的中国战机和最顶级的飞行员，与掌握导弹密码和先进战机的敌人，在境外天空展开一场生死对决......
回复 :电影《金钱世界》改编自一起曾轰动世界的豪门绑架事件：世界首富保罗·盖蒂（克里斯托弗·普卢默 饰）之孙遭遇黑帮绑架，绑匪向其母盖尔（米歇尔·威廉姆斯 饰）索要1700万美元赎金，已经与丈夫离婚的盖尔无力支付这笔高昂的赎金，只能向盖蒂家族求救，但富可敌国却无比吝啬的老盖蒂却拒绝为孙子（查理·普拉默 饰）支付赎金，拿不到钱的绑匪丧心病狂的割下了人质的耳朵邮寄给盖蒂家族，心碎的盖尔在前CIA特工弗莱彻·蔡斯（马克·沃尔伯格 饰）的协助下，试图撼动这一僵局，解救自己的儿子……
回复 :香港1990年代初，的士司机拒载客人、漫天要价的情况普遍。保险公司的经纪阿建（黄秋生）业务能力非常突出，纷纷欣羡的同事不知他做事的动力，是娇美的爱妻与其腹中的胎儿。办案雷厉风行的警察阿聪（于荣光）是阿建的老友，两人空闲时常在一起饮酒谈开心、烦心事。某暴雨夜阿建爱妻欲临盆，阿建慌忙打电话喊的士，但司机竟在他搀扶妻子下楼时转载出价更高的客人，尔后又一的士司机见他出高价答应载客，却在见他的妻子下体满是血时冷血地命他们下车，随后其妻因裙摆被车门夹住被疾驰的的士活活拖死。悲痛欲绝的阿建在阿聪的鼓励下本想振作，却是不能，事业、生活变得一团糟糕。联想起此前经历的几起被的士司机欺辱事件，他决定做的士判官。
洪子晴
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
