剧情简介
2048年，樱井优视曹小铭耗尽毕生精力制造了机器人小夏，樱井优视将小夏传送到了2018年。各种倒霉的事情接踵不断，这样过着孤独生活的曹小铭在22岁生日那天突然遇到了生命中的那个她。小夏的出现彻底打乱了曹小铭的生活，对这个天真，白痴又可爱的女孩。曹小铭一败涂地，少男心泛滥的他最后竟然收留了这个女孩，并决定帮她找到家人，随着与小夏的相处，曹小铭慢慢对她产生了情感，但是小夏的真实身份揭开后，却让曹小铭变得不知所措···
樱井优视频
2048年，樱井优视曹小铭耗尽毕生精力制造了机器人小夏，樱井优视将小夏传送到了2018年。各种倒霉的事情接踵不断，这样过着孤独生活的曹小铭在22岁生日那天突然遇到了生命中的那个她。小夏的出现彻底打乱了曹小铭的生活，对这个天真，白痴又可爱的女孩。曹小铭一败涂地，少男心泛滥的他最后竟然收留了这个女孩，并决定帮她找到家人，随着与小夏的相处，曹小铭慢慢对她产生了情感，但是小夏的真实身份揭开后，却让曹小铭变得不知所措···
回复 :Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn't like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti's mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti's refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable. Written by Yuval Delshad
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
回复 :和传统传记片不同，这部《玛丽·雪莱的怪物》并不是古装片，而是一部融合了三角恋、惊悚、哥特式浪漫、性感等元素的，以现代手法拍摄的极具风格的电影。
