诺言（张润泽 饰）自小生活在单亲家庭，涉足父亲（张页石 饰）频频出差，涉足他的童年几乎是在幼儿园和小姨（吴靖 饰）家度过。父亲的工作对诺言来说一直是个谜，他很想知道父亲究竟做什么工作。又要出差的父亲与儿子达成了一项协议，只要他好好学习，出差回来一定给他满意答复。于是诺言和小姨在家度过这个暑假，他每天张望父亲走时的那条弯曲的小路，热切盼望父亲早日归来，了却那久藏心中的谜团。连日暴雨冲毁了小路，诺言思父心切，决心修好这条父亲归来的小路，他幼小的身体滑动在山涧，拣起被雨水冲跑的石块，但无情的雨水把他刚修好的小路又冲垮了，诺言在绝望中哭泣着，远处的小姨知道父爱在诺言心中确立了什么位置......
回复 :堕落沉沦的MMA选手艾迪生（艾伦 饰）依靠打假拳度日，早已忘记昔日的雄心壮志。某次他和假拳掮客马东（田雨 饰）商议打假赛的时候，不慎被正义感爆棚的体育记者马小（马丽 饰）听到并录音。在追赶马丽的过程中，艾迪生和对方一同跌入游泳池，并遭到雷电的电击。当他们从医院醒来后，发现两人居然互换了身体。在所有复原的办法都失败后，艾迪生只能请求马小代替他去和拳王吴良（薛皓文 饰）——同时也是马小的未婚夫——去打比赛。然而，娘娘的艾迪生和汉子力爆表的马小却闹出了一连串的笑话。而在这一过程中，两人渐次发现了当年艾迪生遭遇惨败和黑幕的真相……
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
李锦
回复 :中年的弗朗索瓦（布鲁诺·克雷默）是名哲学老师，他和风度怡人的妻在小镇里过着中规中距的生活。然而他的学生，17岁的少女玛蒂尔（凡妮莎·帕拉迪丝）出现了，带着少年人少有的成熟和不羁。弗朗索瓦带着挽救堕落少女的心情走近她，却难以抑制的被玛蒂尔的热情和聪慧所吸引。他们相爱了，激情四溢，刻骨铭心。可是当玛蒂尔要求弗朗索瓦离开妻，与她一起时，男人退缩了，他想到了年龄，婚姻，道德，身份，想到了太多的琐碎。再次绝望的玛蒂尔用激烈的方式破坏老师的生活，颠覆了他的事业与婚姻，然后消失的无影无踪。当人们再次发现她的时候，她的房间里写着“弗朗索瓦，这里就是海。”
