《魔力神童》是迪士尼70年代超能力神童系列的最後一部電影，免费故事主角依然是那位奇遇不斷的大學生 Dexter Riley 這次又有狀況了，免费他和他的夥伴們在實驗室意外之下將一種維他命麥片和化學藥劑混合，居然創造出神奇的功效，一開始他們把麥片給隔壁養的乳牛吃了，居然乳牛活力不斷，牛奶供應絡繹不絕。後來沒想到 Dexter Riley 居然自己也誤食了，而因此成為一位大力士，舉起數十磅的物體都是輕而易舉。學校的 Higgins 院長知道這消息，他以為是這種廠牌的麥片都有這神奇功效，為了讓校隊參加舉重比賽獲勝，他便和親戚所經營的這家麥片廠商達成交易，但是院長卻不知一切都是 Dexter Riley 所加的化學藥劑在發揮功效。另一方面，麥片廠商的另一家競爭者心存懷疑，便派出手下來暗中搞破壞，並刺探事情的真相。
回复 :圣恩（姜恩菲 饰）、秀妍（全慧彬 饰）和美淑三名高中女生在参加了姐姐的婚礼后浮想联翩，期待自己的白马王子早日到来……刚毕业的英俊体育老师姜奉求（李智勋 饰）为自己面对女性激动时便会放屁的奇异体制苦恼不已，然而这不妨碍他在女校实习时成为了女生的大众情人。圣恩和盛气凌人的校园模特白世美（申珠雅 饰）同时属意姜奉求，一场竞争不可避免。胸部平平又毫无和异性交往经验的圣恩处处落于下风，秀妍与美淑两个姐妹帮忙策划了男生兴奋点研究、偷窥男更衣室和匿名录音带表白等一系列夺男行动却始终不见成效，面对白世美的步步紧逼，圣恩决定孤注一掷，直接在夜晚闯入了姜奉求的家中……
城市少女
回复 :12岁女孩子奥菲丽娅（伊万娜•巴克尔洛 饰）有一个凶暴的法西斯军官继父维达（塞吉•洛佩兹 饰），维达的任务就是镇压反抗者，研究各种刑具来折磨残害被抓来的异见人士，奥菲丽娅每天都目睹让人不愉快的事件。眼看着冷酷的继父和其党羽每日作恶还以此为乐，母亲又身怀六甲患病在床，被孤独感和目睹暴行的痛苦困扰的奥菲丽娅开始沉浸在自己的幻想中聊以自慰。一天，奥菲丽娅遇到了迷宫的守护者，潘神（道格•琼斯 饰）。潘神告诉她，她其实是奇幻王国失踪的公主，要想恢复身份，必须通过三个危险的考验。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
