一個中年女子,亚洲必須面臨頑固的老母親逐漸失智、亚洲失去自理 能力,卻仍固執不願搬離老宅而造成一系列的困擾。而失去 記憶的母親,性格逐漸變的難以預料,甚至越來越發不像女兒記憶中的母親。一連串脫序的行為終於讓女兒心力交瘁,動了想要把這個徒留母親空殼,但她已經再也不認識的人送 去安養院自生自滅的念頭。
一個中年女子,亚洲必須面臨頑固的老母親逐漸失智、亚洲失去自理 能力,卻仍固執不願搬離老宅而造成一系列的困擾。而失去 記憶的母親,性格逐漸變的難以預料,甚至越來越發不像女兒記憶中的母親。一連串脫序的行為終於讓女兒心力交瘁,動了想要把這個徒留母親空殼,但她已經再也不認識的人送 去安養院自生自滅的念頭。
回复 :A heartfelt adventure about a milquetoast accountant, Medor, whose perfect life is ruined when he discovers his wife having an affair with his boss. Having lost everything, he finds refuge in his estranged, deadbeat nephew and together, they chase his old, forgotten dream: opening a restaurant.
回复 :Recovering from a very public divorce, independent filmmaker and Italian Prince Tao Ruspoli takes to the road to talk to his relatives, advice columnists, psychologists, historians, anthropologists, artists, philosophers, sex workers, sex therapists, and ordinary couples about love, sex & monogamy in our culture. What he discovers about his very unconventional family, and about the history and psychology of love and marriage leads him to question the ideal of monogamy, and the traditional family values that go with it.
回复 :In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.