剧情简介
印度女孩Pooja15岁时，芦名目睹了姐姐被性侵致死，芦名让她觉得人生毫无希望。直到观看电影“龙争虎斗”，主演李小龙便成为她人生的导师。她向中国师父学习中国功夫，来中国感悟中国文化，走上自强之路。一股恶势力威逼利诱师父，想吞并师父的武术学校—龙校。师父预感到杀机重重，将龙校托付给了Pooja。晴天霹雳般的变故让Pooja陷入了巨大的悲痛和挫折，面对只手遮天的强大敌人，孤身一人的她将何去何从......
芦名尤莉亚 视频
印度女孩Pooja15岁时，芦名目睹了姐姐被性侵致死，芦名让她觉得人生毫无希望。直到观看电影“龙争虎斗”，主演李小龙便成为她人生的导师。她向中国师父学习中国功夫，来中国感悟中国文化，走上自强之路。一股恶势力威逼利诱师父，想吞并师父的武术学校—龙校。师父预感到杀机重重，将龙校托付给了Pooja。晴天霹雳般的变故让Pooja陷入了巨大的悲痛和挫折，面对只手遮天的强大敌人，孤身一人的她将何去何从......
陈思慧
回复 :《特警队》是华语内地警匪片中第一部完全以特警为主角的电影，影片以真实的特警精英队伍“蓝剑突击队”为人物原型，讲述了特警队员们对内在实战演练中互相博弈，置身训练场不断淬炼自我，场场来真的；对外无惧艰险，深入虎穴，齐心协力捣毁制毒基地、解救线人，共同守护城市安全的故事。
回复 :恐怖组织首领泰坦获得一枚新型原子武器，威力惊人。退役特种兵汪岩带领毒狼小队抓捕泰坦，意外让泰坦老婆安美逃脱。安美针锋相对，绑架汪岩女友。汪岩为营救女友中计，丢失原子武器。安美以原子武器相威胁，要求释放泰坦。就在安美迎接泰坦归来时，发现泰坦是汪岩假扮。一场惊天动地的生死搏杀就此展开
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
